|
Are you a member of the
Pivotal Book Club?
Get free books, and eBooks, book
reviews, as well as free access to multiple articles and
resources throughout the Pivotal Network.
More Information
here.
Join now
Try RocketReader Kids
The ultimate child reading tutor. Ages 4 to 8.

|
|
Pivotal
Booklist
The Orange
Prize for Fiction shortlist
|
 |
Scottsboro
Ellen Feldman
Alabama, 1931. A posse stops a
freight train and arrests nine black youths. Their
crime: fighting with white boys. Then two white
girls emerge from another freight car, and within
seconds the cry of rape goes up. One of the girls
sticks to her story. The other changes her tune,
again and again. A young journalist, whose only
connection to the incident is her overheated social
conscience, fights to save the nine youths from the
electric chair, redeem the girl who repents her lie,
and make amends for her own past. Stirring racism,
sexism, and anti-Semitism into an explosive brew,
"Scottsboro" is a novel of a shocking injustice that
reverberated around the world. 'A fine novel
...Anyone who wants to appreciate the scale of the
miracle that a black man has been elected president
of the United States should sit down with
"Scottsboro"' - Lionel Shriver.
|
| |
|
 |
The Wilderness: A Novel
Samantha Harvey
It's Jake's birthday. He is sitting in a small
plane, being flown over the landscape that has been the backdrop
to his life - his childhood, his marriage, his work, his
passions. Now he is in his early sixties, and he isn't quite the
man he used to be. He has lost his wife, his son is in prison,
and he is about to lose his past. Jake has Alzheimer's. As the
disease takes hold of him, Jake struggles to hold on to his
personal story, to his memories and identity, but they become
increasingly elusive and unreliable. Is there anything he'll be able to salvage from the
wreckage? Beauty, perhaps, the memory of love, or nothing at
all? From the first sentence to the last, The Wilderness holds
us in its grip. This is writing of extraordinary power and
beauty.
|
| |
|
|
 |
The Invention of Everything Else
Samantha Hunt
In this surreal historical novel,
the aged and forgotten scientist Nikola Tesla is
eking out his last days at the Hotel New Yorker in
1943, communing with pigeons and the ghost of Mark
Twain. His ruminations on his career (he was
exploited by Edison, cheated by Marconi) and on an
unrealized love intersect with the inchoate
aspirations of a chambermaid whose father wants to
use a time machine to be reunited with his dead
wife. Hunt is adept at entering the mind of a
rudderless young woman, but she is less convincing
with the brilliant and possibly crazed
eighty-six-year-old Tesla. Still, her vision of
punch-drunk, teetering-on-modernity Manhattan
dazzles in the details: a vast hotel with its own
hospital and ice-skating rink; a Poverty Ball
attended by millionaires in rags. |
| |
|
 |
Molly
Fox's Birthday
Deirdre Madden
Dublin. Midsummer. While absent in
New York, the celebrated actor Molly Fox has loaned
her house to a playwright friend, who is struggling
to write a new work. Over the course of this, the
longest day of the year, the playwright reflects
upon her own life, Molly's, and that of their mutual
friend Andrew, whom she has known since university. |
| |
|
|
 |
Home ...
WINNER
Marilynne Robinson
From the author of the magnificent,
award-winning GILEAD comes a masterpiece novel that
returns to the people and places of Gilead.
'Robinson makes us understand home isn’t just a
place—it’s something we carry with us.'
|
| |
|
|
 |
Burnt Shadows
Kamila Shamsie
Shamsie’s complex fifth novel,
spanning the years between August 1945 and September
2001, is a story of two inextricably connected and
politically impacted families. Berliner Konrad Weiss
and Hiroko Tanaka, his translator, meet in Nagasaki
and plan to marry. But after he is incinerated by
the bomb and she is left permanently scarred, Hiroko
journeys to Delhi, home of Konrad’s half-sister,
Elizabeth Burton, and her British husband, James.
Hiroko bonds with James’ assistant, Sajjad. With
Partition between India and Pakistan looming, the
Burtons return to England, where their son Henry is
in boarding school. Hiroko and Sajjad marry,
but they’re not allowed back into India, since
Sajjad is a Muslim who “chose to leave.” Shamsie
takes up their story 35 years later in Karachi,
where they have one son, Raza, after bomb-related
miscarriages. Henry appears, searching for his past,
and offers to assist with Raza’s education; by 2001,
they’re working together for the CIA in the U.S.
Shamsie offers a moving look at the “complicated
shared history” of these two families, an
increasingly common facet of globalization. |
|